Hey Buddy: Popping in at Jerry Seinfeld’s Apartment | Popculturology.com

Photo Jun 27, 2 52 18 PM

Photo by Eric Stevens

If you have been living in some sort of time warp, trapped in 1998, you don’t know that Hulu recently paid a lot of money for exclusive streaming rights to everyone’s favorite show about nothingSeinfeld. Longtime fans and first-time viewers have been able to watch since this past Wednesday, June 24, a date that also saw Hulu welcoming the public to their own recreation of Jerry’s iconic apartment here in New York.

On West 14th Street, 67 blocks from Jerry’s fictional Upper West Side address, fans are treated to the full Seinfeld experience. For those of us who do not live in New York and couldn’t be here on weekdays, much of our time was spent in line. The line wrapped one block three times, and a second line formed the next block over. The weather was in our favor for a long time but eventually gave way to a light rain with nary an umbrella twirler in sight.

Once inside, the experience splits in two. To the right is a collection of props from the series, including the booth from Monk’s and George’s Frogger machine. Here is also the opportunity to shoot a George Constanza-style boudoir photo and try your hand at standup comedy. To the left is our main attraction, the apartment itself. There is only one way in — bursting through the door like Cosmo Kramer.

For most, if not all, it is the only chance to see this television icon (even as a replica), and, for just a few minutes, feel like you’ve come home.

Stepping inside is like stepping into your television. The apartment, carefully researched, and refined over the past few days after fans pointed out a few errors, is an almost perfect replica of 5A, a set I studied for hours in preparation for LEGO Seinfeld. The designers got small things right, such as Jerry’s movie shelf including Nintendo games as well as movies. Though the apartment changed over the course of the series, the essence is intact in this recreation. Hulu did leave out one important detail, which may be the most important of them all: Not once did I see anyone exercising the gaskets in Jerry’s toilet.

The time spent inside seems like nothing after the four-hour wait to get in, but for a Seinfeld fan, a lover of pop culture or a historian (because Seinfeld is a part of history), it was well worth the wait.

Fans came from all around. I traveled from Rochester, New York, (my travel expenses can be a write-off), while those around me in line came from as close as Jersey City and as far as Toronto. Fans were of all ages, as well, thanks to the timelessness of the series’ situational and social conflicts.

I spoke to two young fans, Tyler and TJ from New Jersey, 10 and 8. They watch Seinfeld with their dad, and despite being born seven and nine years after the series ended are big fans. TJ’s weirdest moment is the presumed death of George, when his car is in the Yankees’ parking lot but George is nowhere to be seen. Tyler has different priorities, choosing Sue-Ellen Mischke’s choice of apparel as his weirdest moment. The differences between the world they are growing up in and New York in the 90s don’t matter to them.

Visitors to the Seinfeld experience were all thrilled to here. For most, if not all, it is the only chance to see this television icon (even as a replica), and, for just a few minutes, feel like you’ve come home.

Hulu’s Seinfeld apartment and experience will open for the last time at 10:00 Sunday morning at 14th Street and 10th Avenue in New York. Arrive early to beat the crowd.

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My Afternoon at CBS: Filming THE PRICE IS RIGHT | Popculturology.com

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The Price Is Right, the long-running television favorite of retired people, sick (or faking) school kids and college students with carefully-planned schedules, airs every weekday and combines the thrill of winning great prizes with helpful information about reverse mortgages. If you watched yesterday’s episode, it adds one more exciting element — you will get a glimpse of my face. No, I did not win. No, I didn’t even make it to Contestants’ Row, but I did have the privilege of breathing the same oxygen as the great Drew Carey.

Getting tickets to the show is easy. I’ve seen plenty of articles claiming you have to get there very early in the morning and wait in line for a chance of getting in, but the much smarter option is to request tickets online. If you register early enough (I registered about five weeks in advance), you’re guaranteed admission as long as you arrive on time. For the afternoon taping, we were required to arrive by noon. Once through the gate, we were given cards with our contestant numbers. If you’re waiting in line, try to avoid standing next to someone that annoys you, because the producers make sure you stay in the correct order until the moment you enter the studio.

Now you’re inside, and you’re excited. A CBS page comes down the line, passing out release forms, followed by another page — who has been specially selected based on handwriting skills — to give you your iconic yellow name tag. Unfortunately, this is where you find out what is in store for you. To one side is a CBS gift shop, with souvenirs from the shows that film in that studio. The other side is a food stand, whose staff will repeatedly shout that you have about six hours to go.
After about an hour of waiting here, the line starts moving. Each person has an individual picture taken (I later figured out that these photos are to help the producers find the contestants in the audience), then a group picture with your friends or family in front of a green screen. Around a corner is another line of benches … where you wait some more. After quite a while — two hours, maybe — 20 people are taken from the line to talk to the producers. Most people get one question (“What do you do?”), and the line moves on.

Around another corner we get to stand in the sun for a little while, watching the crew come back from their buy-one-get-one lunches at Macaroni Grill next door. A few audience members were excited to get a glimpse of a soap opera star, but I was more distracted with the bees living in the flowers next to us. After a short wait, we had to check our phones. The remainder of our time was spent phoneless, forcing us to make conversation. Fortunately, the overhead televisions soon started playing an older episode of the show. Another food stand was available here. For low, low prices*, you could refuel before the hour-long clap-fest you were about to endure. The overhead episode was cut short to show an informational video hosted by George Gray about the dos and don’ts of The Price Is Right. Unfortunately, it ran on a loop for the next hour, until the doors finally opened to the main attraction.

The studio itself is tiny. There are a total of about 300 people in the audience. The stage, which appears to be very large on TV, is actually not. Clever set arrangements and close camera angles keep the illusion going for the home audience, but there are many parts of the show that the studio audience simply can’t see. Enthusiasm is kept up by a man named Matt, constantly encouraging the audience to applaud. The stage is reset during commercial breaks, where the audience is treated to the comedy styling of the host. Drew Carey makes a great effort to connect with audience members, and it helps to relieve some of the tension from an afternoon worth of waiting. The show itself goes by quickly. It is 44 minutes at broadcast, and takes a little more than an hour to shoot.

Overall, it’s an exciting, if long, experience. If you live in Los Angeles and have nothing better to do, it’s a slight chance of making some money or winning prizes. If you’re just visiting, it does take up a fair amount of your time, but might still be worth it. As a television lover, it was an easy choice.

“My” episode filmed on April 15 and aired on June 10. If you see us in repeat (or want to find it on YouTube), you can find me a few rows back at stage left.

*Prices were not very low.

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Good-Bye, Neighborino: Harry Shearer Leaves The Simpsons | Popculturology.com

Good-Bye, Neighborino: Harry Shearer Leaves THE SIMPSONS

The news from Springfield today is certainly not “excellent.” Harry Shearer is leaving The Simpsons. On Twitter, Shearer quoted The Simpsons executive producer James L. Brooks’ lawyer as his reason for not resigning for the 27th season and beyond.
Shearer’s list of characters is extensive, notably including Simpson family neighbor Ned Flanders. Ned has been attached to two previous cast departures: his wife, Maude, was killed after actor Maggie Roswell left the series (though the character was briefly recast), and his second wife, Springfield Elementary teacher Edna Krabappel, was retired with an off-screen death following the death of actor Marcia Wallace.

Other recurring characters include Mr. Burns, owner of the Springfield Nuclear Power Plant, as well as his assistant, Waylon Smithers; Dr. Hibbert;, Homer’s drinking buddy Lenny Leonard; newsman Kent Brockman; Principal Seymour Skinner; police officer Eddie; music teacher Mr. Largo; bus driver Otto Mann; and Reverend Lovejoy. Shearer has voiced dozens of other one-time characters and celebrity impressions.

Losing these characters — and in one fell swoop, no less — would leave the series crippled. These supporting characters have been integral to the series since the first season. Some will continue to appear on show, and will be “recast with the finest voiceover talent available,” according to executive producer Al Jean.
“Harry Shearer was offered the same deal the rest of the cast accepted and passed. We wish him well but the show will go on. Maggie took it hard,” Jean told Hitfix. “Yes, Burns and Flanders will not die. They are great characters and will continue.”

There have been rumors of castmembers leaving for many years, some with more credibility than others. After twenty six seasons, it is surprising that there have not been more cast departures.

The Simpsons’ 26th season finale airs this Sunday on Fox.

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